Three hours left of Series I. The sale closes at midnight, Madrid time. Thank you to the people who have collected over this week and to the ones who have written. The works that remain are on the site until then, each a 1 of 1, 0.15 ETH.

Dorland describes a reality whose digital dimension has become impossible to ignore. Meckseper reminds us that the interface was never exclusively digital. The shop window was already a system for directing attention. What has changed is the ability to observe, predict and influence the observer.

DIGITAL ART SHOWS TO SEE DURING ART BASEL PARIS From Vera Molnar’s early abstracts to David Salle’s latest AI paintings, the French capital is home to a compelling array of art made with technology By Louis Jebb (@JebbL) rightclicksave.com/article/d…

Right Click News has your weekend reading covered ✅ This week: Parker Ito (@CreamyDreamy), Chris Dorland (@bladerenoir), David Salle, Vera Molnar, Holly Herndon (@hollyherndon) and Mat Dryhurst (@matdryhurst), and much more... 🔗👇

i am jet lagged but definitely meant to include the brilliant and thoughtful @AlexEstorick founding editor of @RtClick_Save The three are a trifecta of knowledge, passion and scholarship. @Noahbolanowski @monkantony_tez @AlexEstorick

ART IN THE POSTDIGITAL CONDITION Chris Dorland (@bladerenoir) and Josephine Meckseper discuss painting, hybridity, and the legacy of postmodernism with Alex Estorick (@AlexEstorick) rightclicksave.com/article/a…

Do a deep dive into the Avant NFT scene by reading @gardenparty85's history of the movement: rightclicksave.com/article/n…

I've been calling my art dumb for years. Glad to hear that the contemporary art world is finally catching up

I’m not usually one for catchy terms but one word keeps cropping up in my conversations with artists: dumb. Read me and @creamydreamy on the age of Dumb Art for @RtClick_Save rightclicksave.com/article/p…

PARKER ITO ON THE DUMB TRUTH OF CONTEMPORARY ART The artist (@CreamyDreamy) discusses postinternet, Zombie Formalism, and the Avant NFT scene, coining a new term in the process with Alex Estorick (@AlexEstorick) rightclicksave.com/article/p…

AN ARTIST WHOSE FUTURES KEEP COMING TRUE | CAO FEI With two big European shows this year, the creator of a city in Second Life has become an ethnographer of Chinese technology — embedding with drone-makers and warehouse robots to ask what automation leaves of the human By @jenifulton rightclicksave.com/article/f…

oh boy. don't be mad 🏈

"One thing that people outside animation might not realize is how much it comes down to restraint. Just because something can move doesn’t mean it should. Sometimes the strongest choice is knowing what to simplify, what to hold, and what to leave still." - @deekaymotion rightclicksave.com/article/a…

"If you immerse yourself in a group or culture long enough and become fluent in its language, it begins affecting your actions and eventually your sense of self." - artist @EddFornieles in conversation with @postanika rightclicksave.com/article/e…

Works released 2021+ as generative art registered on the blockchain in series of 50 to 1,000, are fundamentally different. Rather than collecting the complete software, each work in a series is a single "slice" of its larger potential software, constrained by a random seed.

ICYMI, @museumghostart released an essay on my art career & practice last night. It methodically highlights a ton of aspects that drive my creative outputs. Grateful to @jokawaharalino for taking the time to absorb and distill my art. Link below:

If it’s not online, it’s already forgotten. If it can’t be indexed, it becomes a ghost.

Love to see it! Great work. ❤️

Blockade From Stained Unravel, 2026 By @harmvddorpel Animation code fully on-chain Presented in partnership with @Interface_art