RT @ontologoff: If the Guardian were concerned about truth, why did they not look into: the chronology of the plagiarism claims; the academ…

Temwa Chawinga. 🌟🇲🇼 Five goals earn her the @PUMA Golden Boot at the #TotalEnergiesWAFCON2026. ⚽️🏆 @pumafootball

CAMEROON. AFRICA’S CHAMPIONS. 🇨🇲 The Indomitable Lionesses are your #TotalEnergiesWAFCON2026 champions.

Spirits this high before the final? Must be Malawi. 🇲🇼 #TotalEnergiesWAFCON2026

MALAWI REACH THE WAFCON FINAL IN THEIR FIRST EVER APPEARANCE AT THE TOURNAMENT 🤯🇲🇼 What a story. What a team. 🔥

They dreamed it together. They’re living it together. 🇲🇼❤️ #TotalEnergiesWAFCON2026

SEMI-FINALISTS! 🇲🇼 Malawi head to the #TotalEnergiesWAFCON2026 semi-finals. 🌟

MALAWI BEAT GHANA TO REACH THE WAFCON SEMI FINALS AND QUALIFY FOR THEIR FIRST EVER FIFA WORLD CUP!!! A NATION RANKED 153RD IN THE WORLD 🤯🤯🤯

Egypt Scorched! 🔥 Congratulations Scorchers! Egypt 1-3 Malawi #NationOnline #WAFCON2026

What do skin disease, colonial medicine, photography and African cowboys have in common? Please read my article to find out. Also my first PhD publication 🎉 Access here muse.jhu.edu/pub/1/article/9… / DM for PDF

After a six-year legal battle with Harvard University, Tamara Lanier has won ownership of two of the earliest known photographs of enslaved people in the United States. The images, taken in 1850, depict an enslaved man named Renty Taylor and his daughter Delia Taylor. They were originally commissioned by Harvard biologist Louis Agassiz as part of research rooted in racist pseudoscience aimed at promoting theories of Black inferiority. For decades, the portraits remained in Harvard’s possession and were widely reproduced in academic settings. But Lanier, who says she is a direct descendant of Renty and Delia, challenged the university’s ownership in court, arguing that the images were taken without consent and belonged to the family. Now, after years of legal fights and public pressure, Harvard has agreed to relinquish the photographs to Lanier, marking a significant moment in the ongoing conversation about historical accountability, ownership, and the legacy of slavery in American institutions. Source: NPR

In our current issue, we uplift and celebrate the legacy and scholarship of Marlene Cunha, a pathfinding Black Brazilian anthropologist and activist whose work has often been under-recognized in the Brazilian academy and in anglophone North American anthropology.

Baby, Zora Neale Hurston started that novel with, "Ships at a distance have every man's wish on board." Toni Morrison opened on, "Quiet as it's kept, there were no marigolds in the fall of 1941." Black women writers just KNEW how to start a novel. Lord let us keep those recipes.

I need help. Who does cancer research at Kamuzu University of Health Sciences please? We need a partner for a lung cancer study with Ministry of Health.

African artists please apply! The deadline is in two weeks!

Excited to share the first issue of the Imagine Immensities newsletter! Dive into the origins of the program and how we are fostering collaborative storytelling through creative cultural research. Read more: bit.ly/4hntO5e #Malawi #Malawianart