Comic fan & reviewer Sharing honest takes on superhero, indie & manga books |

UK
Slightly interesting? Check. Still a glorious mess? Double-check. Worth the ride? For fans of chaotic superhero mayhem… yes.
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Overall: 7.1/10 Terminal #4 is the first issue that made me lean forward a little instead of just watching the carnage unfold. There’s a real spark of interest here, especially with Alessandra’s rogue turn, the escalating mysteries around Marilyn,
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The main cover alone is worth the price of admission, and the art team continues to deliver the goods even when the plot feels like it’s arguing with itself.
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If you’ve stuck with the series this far, this is the issue that starts rewarding your patience—just don’t expect a clean, linear ride. The war is heating up, the bodies (and body parts) are piling higher, and for the first time I’m actually curious about what drops next.
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Main Cover: 10/10 Now this is how you sell a comic. Andy Kubert and Dave McCaig’s Cover A is an absolute banger—gory, dramatic, dripping with atmosphere and that perfect “what the hell is that thing?” energy.
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The glowing eye, the viscous red mass, the haunting faces in the background… pure comic-book eye candy. Instant pull-list material and easily the strongest visual of the series so far.
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Plus, the introduction of the new recruit adds a fresh (and gross) layer—Maculox sends the team after a lowlife dogfighter named Sid, whose painful transformation sequence is pure body-horror spectacle.
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It’s one of the clearer, more memorable moments in the issue and gives the “good guys” side a new wild-card presence. But the storyline is very messy and disjointed.
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Color: 6/10 Dave McCaig’s palette keeps the bloody reds vivid and the atmospheric tones consistent. The colors support the mood without overpowering the linework. Functional and often striking, yet not the standout element that makes you stop and stare every page.
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Writing: 6.5/10 (Robert Kirkman & Joe Casey) The dialogue and scene-setting still carry that signature Kirkman/Casey intensity—big stakes, brutal consequences, and characters making wild choices.
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It’s a step up in engagement from previous issues, but the execution remains uneven. You get momentum in spots, then the script throws in another curveball that leaves you scrambling to keep up. Storyline: 7/10 Finally, issue #4 became slightly interesting to me.
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There are genuine hooks here: Alessandra going off-script, Marilyn’s fate hanging in the balance, and that new enemy crashing the party with unexpected timing.
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Terminal #4 Review: Finally a Spark… Buried in Beautiful Chaos Hey comic fans, Terminal #4 from Image Comics/Skybound has landed, and after a few issues of pure “wait, what’s going on?” energy, something actually clicked for me.
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Robert Kirkman and Joe Casey are still steering this violent, unpredictable superhero war, with Andy Kubert and Dave McCaig on art duties. The official pitch? The fate of Marilyn Howe.
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Alessandra goes rogue just as a new enemy makes an unexpected move. Spoiler-light vibes ahead—let’s dive in.
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Via @JamesGunn Batman will be introduced in the DCU as being trans? What?
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RT @Rememberfright: An open letter to @DCOfficial @JamesGunn from a concerned Green Lantern fan. Please like and retweet so it can reach th…
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ComicScopeReviews retweeted
I'll give James Gunn credit for greenlighting Clayface and for Superman 2025, but this DCU is a goddamn travesty. Its so bad that I can say "I miss Zack Snyder" and the gunn bots just look at you like this now instead of attacking you.
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ComicScopeReviews retweeted
What does it REALLY take to run a comic book shop? I sat down with @luiseatscomics to talk about the ins and outs of running an LCS, why pull lists and FOC matter, and how Absolute Batman is impacting retailers. And yes, we tackle one of the industry's biggest debates: comic book piracy. ➡️piped.video/iH2hR0_UxdA
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