Two years today. The rat Yahya Sinwar was exterminated. Died like a Rat! Good riddance. One of the most iconic photographs of the war in my opinion.

Czesława Kwoka (1928–1943) was a 14-year-old Polish Catholic girl who became a widely recognized victim of Nazi German atrocities during WWII. Her registration photographs taken at the Auschwitz concentration camp are among the most famous and haunting visual records of the Holocaust... In the photo, you can see a small cut on her lip and a haunting fear in her eyes. Just moments before this picture was taken, a guard had whipped her across the face with a stick. Czesława did not understand why she was being hit. She did not understand why she was in a place called Auschwitz. She was just a child, and she was terrified. Czesława was born in a small Polish village called Wólka Złojecka. She was a Catholic girl who lived a simple life until the horror of the Holocaust reached her home. In late 1942, she and her mother were deported to the Auschwitz concentration camp. Her mother died just a month after they arrived. Czesława was left all alone in a world of striped uniforms and barbed wire. The man behind the camera was Wilhelm Brasse. He was not a Nazi soldier. He was a fellow prisoner, a professional photographer from Poland who had been arrested because he refused to swear allegiance to Hitler. The Nazis forced him to take identification photos of every person who entered the camp. He took over 40,000 of these "mugshots," capturing the faces of men, women, and children who were marked for death. Brasse never forgot the day Czesława walked into his studio. He remembered her beauty and her absolute innocence. He watched as a female guard, a Kapo, lost her temper and struck the girl. Brasse recalled the moment vividly in a later documentary. He said: "She was so young and so terrified. The girl didn't understand why she was there and what they were saying to her. Then a female Kapo took a stick and hit her in the face." He watched the young girl cry. He saw her use her hand to wipe the blood and tears from her face before he had to click the shutter. Brasse wanted to help her, but he knew that any movement or word of protest would mean his own death. "To tell the truth, I felt as though I had been hit myself, but I couldn't intervene," he admitted. "It would have been fatal. You couldn't say absolutely anything." Czesława was murdered on March 12, 1943. She was one of 230,000 children and adolescents who were sent to Auschwitz. Most of them did not survive. When the war was ending and the Soviet army was approaching, the Nazis ordered Brasse to burn all the photographs. They wanted to destroy the evidence of their crimes. However, Brasse chose to risk his life one last time. He and another prisoner managed to hide thousands of negatives in the barracks. Because of his bravery, Czesława’s face was not erased from history. Her eyes still stare at us today, demanding that we acknowledge what happened to her. After the war, Wilhelm Brasse returned to his hometown. He tried to go back to his old life, but he found that he could no longer take pictures. The faces of the victims were burned into his mind. "Despite having a Kodak camera, I couldn't bring myself to photograph again; I had a repulsion to it," he explained. He spent the rest of his life working in a deli, carrying the weight of those 40,000 faces until he died in 2012. When we look at Czesława, we are not looking at a statistic; we are looking at a human being who deserved a future. History is made of individual lives, and it is our duty to protect the humanity of every person, especially when the world around us turns to darkness. #archaeohistories

So sollte es überall in Europa sein, auch wenn es auf dem Rücken dieser Mädchen geschieht. Es ist eine Botschaft zu ihren Familien. Sie sind nicht freiwillig verhüllt. Sie haben nicht freiwillig ihre Sinne eingeschränkt noch sexualisieren sich freiwillig vor männlichen Blicken.