NYT tech reporter. tell me stuff at Mike.Isaac@nytimes.com or mjisaac@protonmail.com / Text my signal username with tips: MikeIsaac.38

Oakland
some news: after 12 years and a lot of bylines, im leaving The Times it is bittersweet. i will miss my colleagues and am proud of the work we did together. im joining The Atlantic in December to cover Silicon Valley for the magazine! could not be more thrilled to get started
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this tweet cost me so much money
You may have heard that a 24-hour Criterion flash sale has once again started today… Thoughts and prayers for your front line workers in the warehouse and (for the first time in Canada) in-store!!
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okay actually logging off now
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i put my cc in wrong and now the kubrick collection is on back order and i won’t get it soonagshdgshdhhshshdhshsh
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mfw i left my glasses in the car and twist my ankle in a wet lava tube
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if netflix was the sole distributor of “Chopped” and “House Hunters id be a subscriber for life the platonic ideal of hotel room viewing
Netflix has spent the last few years telling investors that it was excited about its foray into video games. Today's earnings update has zero reference to that business.
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a friend texted me about the anthropic s-1 and i replied with this
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“glanton gang escaping into the caldera”-ass landscape
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party in the USA cover #pigtracking on holiday
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“I learned that — not to sound like a LinkedIn guy — what’s going on with chocolate is a parable for the modern world. That at this particularly bleak end stage of capitalism, everything we once treasured…will lose its essential essence and MrBeast will always be involved…” 🤌
This past Valentine’s Day, 71-year-old Brad Reese, proud grandson of Reese’s Peanut Butter Cups inventor H. B. Reese, posted a scathing open letter to the manager of corporate brand and editorial at Hershey, accusing the company of unforgivably altering many Reese’s products by replacing real chocolate with compound chocolate — basically using vegetable oils instead of cocoa butter to lower costs and replacing real peanut butter with “peanut-butter-style crèmes.” “And Reese wasn’t alone in feeling like everything was getting worse,” writes Rachel Handler. “Everyone in my life I spoke to agreed that something was amiss, that Reese’s — and commercial chocolate in general — didn’t taste the way it used to.” Handler would spend the next several months tumbling down a chocolate vortex, encountering dozens of eccentric characters, all disagreeing about the fundamental question of what chocolate even is and who it should be for. “I learned that — not to sound like a LinkedIn guy — what’s going on with chocolate is a parable for the modern world. That at this particularly bleak end stage of capitalism, everything we once treasured has or will lose its essential essence and MrBeast will always be involved somehow.” For our cover story, Handler takes a deep dive into the molten belly of the chocolate world. Read it in full: nymag.visitlink.me/vKKky_
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wow, joel kaplan leaving meta per internal memo not a household name but about as significant as could be in meta politics land not lost on me that a midterms wipeout is expected and kaplan was the conservative whisperer at the top
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bro
🌋 twin volcanoes 🌋
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🌋 twin volcanoes 🌋
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gootbye waimea
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wonder if there’s a world netflix — which appears to have a taste problem — after its failed bid for WBD, makes a huge acquisition offer for A24 a24 has strategic PE and VC money which ostensibly requires returns inside a decade. valued at 3.5 billion, could go for much more
it has long been understood that, qualitatively, a “netflix movie” exists in the liminal space between theatrical release and Lifetime production with some notable exceptions, even the biggest budget productions feel cheap, strange and worst of all, unmemorable
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now that i think abt it i doubt this will ever happen lol
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it has long been understood that, qualitatively, a “netflix movie” exists in the liminal space between theatrical release and Lifetime production with some notable exceptions, even the biggest budget productions feel cheap, strange and worst of all, unmemorable
Dan Lin is out as film boss at Netflix. Lin’s firing comes in the wake of Netflix making 1,000 pink-slips given their recent slow growth, and minimal overall viewership spike. More details here: deadline.com/2026/10/netflix…
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(id guess they lean heavily into what they tapped into with Kpop demon hunters which was basically a cultural event)
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i JUST rewatched rebel ridge, green room and blue ruin last month and am HYPE for this
Jeremy Saulnier's SLAYGROUND. Trailer tomorrow.
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