Patrick Hawe retweeted
Kevin Barry born 20 January, 1902. Died 1 November, 1920. Memorial Window, designed and worked in double-glazed glass by Richard King at the Harry Clarke stained glass studios in Dublin. Unveiled in 1934 at Earlsfort Terrace by Eamonn de Valera. At Belfield campus since 2007.
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Verlaine breathes an audible sigh of relief. Where is he off to now? “I’ll see if I can pick up a good second-hand book. You can’t beat a good second-hand book.” Irish Times interview November, 2013.
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Patti. 1972
Something you may not know about Harry Houdini, who died 100 years ago today: He left his library — one of the world’s largest private collections of books on magic, witchcraft, demonology, spiritualism and psychic phenomena – to the Library of Congress. blogs.loc.gov/loc/2026/10/de…
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'no man knows the ubicity of his tumulus nor to what processes we shall thereby be ushered nor whether to Tophet or to Edenville in the like way is all hidden when we would backward see from what region of remoteness the whatness of our whoness hath fetched his whenceness U / JJ
Ar it aursluictiu sido hErinn dogres him samuin. "For the sí-mounds of Ireland are always opened about Halloween." - Echtra Nerai
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Harry Clarke. A Broomstick. Not credited. Hmmm.
Tonight I light the candles of my eyes in the lee And swing down this branch full of red leaves. Yellow moon, skull and spine of the hare, Arrow me to town on the neck of the air. Extract from A Rhyme for Halloween © Maurice Kilwein Guevara, 1996 Have a spooky Halloween! 🧹🎃
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Completed. Harry's diary entry, 1920.
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Designed by Elizabeth Rivers.
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Rendered.
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O. S. Sheet 77
Lots of monsters emerge from Oweynagat, Rathcroghan, Co. Roscommon during #Samhain! Queen Medb of Connacht & The Morrígan (death goddess), Ellén Trechend (x3 headed monster), red birds (wither plants they breath on), magical wildcats & pigs (that can disappear)! #Halloween 🐦💀
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'I'll take the spokes from your wheelchair and a magpie's wings, and I'll tie 'em to your shoulders and your feet. I'll steal a hacksaw from my dad and cut the braces off your legs..." Kentucky Avenue. T. Waits. @tomwaits
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'I'd run on the rocks with the crabs and the sea, Where soft red anemones close when you touch ; If I had a broomstick, and knew how to ride it, If I had a broomstick instead of a crutch !' Verse by Patrick R. Chalmers (1872 - 1942).
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'IF I had a broomstick, and knew how to ride it, I'd fly through the windows when Jane goes to tea, And over the tops of the chimneys I'd guide it, To lands where no children are cripples like me...' The Year's At The Spring: An Anthology of Recent Poetry. 1920
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'It’s Hallowe’en. The turnip-man’s lopped head Blazes at us through split bottle glass And fumes and swims up like a wrecker’s lantern. Death mask of harvest, l mocker at All Souls With scorching smells, red dog’s eyes in the night' S. Heaney.
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'wild geese. Fontenoy, eh?' [U] 'Si, Nora' 1909.
The house on Fontenoy Street, off Mountjoy Street where #JamesJoyce stayed when he returned from Europe and sent back to Nora those passionate letters. Note the porcelain 'white lady' in the fanlight. @littlemuseumdub @JamesJoyceCentr @chtmdublin
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Barnacle, eh!?
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Dublin Tram (2004) Jan De Bie.
Dublin’s original tram system (1872–1959) was a rattling work of art and efficiency, albeit an occasionally fatal one. The first horse-drawn trams began service in 1872 between College Green and Rathgar. They were doubledeckers, two and a half tons of painted oak and iron pulled by pairs of horses swapped out every few miles to prevent exhaustion (I hate animals being used for this purpose). Steel rails embedded in cobblestones made for a smoother ride than the jolting “omnibuses” that came before where, incidentally, we get the word “bus.” Conductors in grimy uniforms called out “Car, sir? Car, madam?” as they clanged through the damp air of Grafton Street. A penny fare could take a labourer to work or a courting couple to Dollymount Strand. Women on the open top deck had modesty boards installed to preserve Victorian decency, a detail that says as much about the age’s moral temperature as it does about how women have always had to put up with perverted nonsense. The great leap came with electrification in 1901 under William Martin Murphy, founder of the Dublin United Tramways Company (DUTC). Dublin was among the first cities in the world to electrify its entire system, a source of civic pride. Sleek, humming machines replaced horses, drawing current from overhead wires. Capable of 40 miles an hour and fitted with air brakes, many were built locally at Spa Road Works, Inchicore. At its peak, the network spanned over 60 miles, reaching Dalkey, Terenure, and Clontarf. Trams carried families to the coast, workers to the docks, and clerks from Rathmines and Phibsborough to Dame Street. Each tram bore a front symbol. A star, triangle, or heart, to help illiterate passengers find their route. The doubledeckers became microcosms of class. Upstairs, middle-class commuters smoked pipes and read the Freeman’s Journal, downstairs, the air was thick with talk and sweat. That feel of slipping between worlds, the muffled rattle of the city outside, the metallic scent of ozone from wires fizzing in the rain, the steady ding of the motorman’s bell, was magical. You might climb to the open deck for a sea breeze nearing Clontarf, but more often huddled below on a rainy morning, pressed between the Guinness breath of aul lads and shawled motts with market baskets and cheap lavendar perfume. Crime was rare, mostly pickpockets and kids. Accidents, sadly, were common. Carefree children darting into tracks or elderly passengers slipping while boarding. Yet for all its dangers, the tram revolutionised Dublin life, expanding the horizons of the working class. Motormen and conductors worked punishingly long shifts in all weather. Their meals had to be brought to them by family at the terminus. Their employer, William Martin Murphy, was both visionary and villain. The man who electrified the trams and later led employers during the 1913 Lockout. The decline came when motor buses arrived in the 1920s. They were flexible, cheap, unbound by rails. The DUTC replaced its trams and rebranded as the Dublin United Transport Company in 1941. One by one, the lines were torn up and sold for scrap. By July 1949 the last city tram had clanged its bell for the final time. A solitary echo lingered on the Hill of Howth Tramway until May 31, 1959. After that Dublin was a tramless city, its great arteries of steel torned up or buried beneath tarmac till the Luas decades later.
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If I could be anything in the world that flew I would be a bat and come swooping after you And if the last time you were here, things were a bit askew Well, you know what happens after dark ... Photo : Robert Quine
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To Hell or Connacht.
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Adieu, Donal. Rest in peace, first met playing with Emmet Spiceland, 'Mary of Dungloe' fest mini moke up the steep street. Lots of chats two abreast before bike lanes arrved. Ranelagh Park at a time of great grief.
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This past Summer, 15 bus journeys. Laughter, two abreast downstairs in those seats you give up to elders. Saddened.
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