Poet and critic. New book @BloomsburyAcad out 2.19. Words @Hopkins_Review @poetrymagazine @Curaffairs @Jacobin @Hyperallergic @Reverse_Shot @theBafflermag
St. Louis, Missouri
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Decadent, matte, and velvety news: My forthcoming LIPSTICK book @BloomsburyAcad has an official pub date (FEB 5) & a preorder page! Explore the beauty world's most conspicuous – and contentious – tool of artifice. bloomsbury.com/us/lipstick-9…… #beauty #lipstick #ChappellRoan #Madonna
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Grateful to @wufilmseries for NAZA last night. A chilling, trenchant documentary largely from perspective of Israeli intelligence agents, NAZA is imperative viewing. Free Oct. 21 at 7pm; Sat. Oct. 24 at 2 pm; Sun, Oct. 25 at 2 pm
Winifred Moore Auditorium, 470 E. Lockwood #naza
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Eileen G'Sell retweeted
Lynch news
Happy 25th Birthday to MULHOLLAND DRIVE, one of my all-time favorite films!
In honor of its anniversary, I edited a collection of feminist essays for @FilmQuarterly—the articles are FREE to access at present, authored by @serxaphym, @lwestengard, and @LoriMarso! @ucpress #Lynch
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Eileen G'Sell retweeted
And with @Reckless_Edit on ONLY LIVING PICKPOCKET IN NEW YORK, our #NYFF coverage is officially complete. It's been a great year, thanks to all our brilliant contributors.
#NYFF: With the urgent pace of a Safdie production sans the graphic violence, Noah Segan's THE ONLY LIVING PICKPOCKET IN NEW YORK jolts forward like a rusting express train. Honored to review for @reverse_shot @TheNYFF @MovingImageNYC.
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Eileen G'Sell retweeted
Movie news
#NYFF: With the urgent pace of a Safdie production sans the graphic violence, Noah Segan's THE ONLY LIVING PICKPOCKET IN NEW YORK jolts forward like a rusting express train. Honored to review for @reverse_shot @TheNYFF @MovingImageNYC.
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#NYFF: With the urgent pace of a Safdie production sans the graphic violence, Noah Segan's THE ONLY LIVING PICKPOCKET IN NEW YORK jolts forward like a rusting express train. Honored to review for @reverse_shot @TheNYFF @MovingImageNYC.
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Honored to conduct an exclusive interview with indigenous artist Sara Flores @hyperallergic. Currently representing Peru @la_Biennale, Flores is featured in a doc that premiered @TIFF_NET and comes stateside @DOCNYCfest next month.
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Happy 25th Birthday to MULHOLLAND DRIVE, one of my all-time favorite films!
In honor of its anniversary, I edited a collection of feminist essays for @FilmQuarterly—the articles are FREE to access at present, authored by @serxaphym, @lwestengard, and @LoriMarso! @ucpress #Lynch
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#NYFF: Almodovar's BITTER CHRISTMAS is, as any film from the director, a smorgasbord of dazzling visuals. But it's also one of the boldest excavations of the writing process and pesky ethics therein. Bonus points for a top-shelf striptease scene. @TheNYFF @FilmLinc @todoalmodovar
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#NYFF: If loosely inspired by Mrs. Dalloway, Chuko and Arie Esiri's CLARISSA is a stunningly original film that that poetically cumulates like the best Woolf prose. Sophie Okonedo is brilliant. @TheNYFF @FilmLinc @dailyokonedo
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Sherrilyn Ifill said it best: “This is a time in which we need a much more robust definition of what it means to be a citizen.” Ava Duvernay’s latest doc—14th—is both an edifying and disquieting account of our country at its best and worst. @TheNYFF @avaduvernayfans
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Next week at @WashULaw: a panel on how self-adornment intersects with sex work stigma and transphobia. Honored to be surrounded by such brilliance! @BloomsburyAcad
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Just read this devastating piece by Nikole Hannah-Jones—which took tremendous humility and courage to publish. Having mentored students in St. Louis’s poorest districts for two decades, I’m less shocked by her account than newly indignant. nytimes.com/2026/09/20/magaz…
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