This issue contains stories about being in the right moment, and knowing it, and telling it so it’s apparent to everybody else, too. Subscribe and preview now --> the-unibrow.com/

The city in these paintings is empty and it is dusk, or something like dusk. A color that doesn't quite belong to any hour, magenta bleeding into cobalt, a violet that has no source you can point to in the sky. The buildings are rendered with a precision so exacting it borders on obsession: every window, every setback, every cornice accounted for, traced and cut and stenciled and filled until nothing is left to chance. And yet nothing moves... the-unibrow.com/daily-brows/…

"...instead of looking for mysticism in the world beyond me as I normally do, I began looking around the house, noticing all the magical objects in the home we take for granted." — #ArianaPapademetropoulos, The Unibrow, Issue 03 the-unibrow.com/stories/pain…

By transforming not only the painting as a medium but the image itself into a sculpting material, August Sai emphasizes the importance of “seeing through the neutral eye of nature rather than the eye of culture,” as the exhibition text suggests. Our coverage from #Estonia --- > the-unibrow.com/daily-brows/…

While getting lost in the vortex of my IG feed the other day, I came across an image of #AugustSai’s work from his first show with Tütar gallery in Tallinn, #Estonia. Seeing archetypal Madonna- or Northern Renaissance-type sitters with strips of peeled-off portraits coming out of their eye sockets or mouths made me stop in my tracks and look into the artist and practice I wasn’t familiar with. the-unibrow.com/daily-brows/…

That Manet is the key, really. One of Salman Toor’s best-known paintings, “The Bar on East 13th(2019),” is his answer to “A Bar at the Folies-Bergère,” and now the two hang under the same roof. the-unibrow.com/daily-brows/…

“In general, I do what I’m told. By that I mean, something tells me what to do, and I follow it. You don’t really know where it’s going at first. You start moving, and over time, it reveals how it wants to be…” —Kiki Smith, Issue 02 the-unibrow.com/interviews/k…

#BarryMcGee opened "Another Round" in Los Angeles last night at #JeffreyDeitch, so let's revisit our cover story with the artist... the-unibrow.com/facts-fictio…

Salman Toor has arrived, yes. But he isn’t finished. And I can’t wait to see what the next room looks like. the-unibrow.com/daily-brows/…

That, to me, the whole essence of #SalmanToor isn't that he borrows imagery from Old Masters; he borrows their questions. His show at @TheCourtauld is one of the best of 2026. Read our review ---> the-unibrow.com/daily-brows/…

“Space between the translations is, to me and my head, very exciting." —Nicklas Johannes in #Aalborg, Denmark the-unibrow.com/daily-brows/…

Staying on the subject of shows we got an early peek at, Kristof Santy’s solo show "Bolero" closed last weekend at Sorry We're Closed in #Brussels, but we wanted to show you a closer look... the-unibrow.com/daily-brows/…

We were at @friezeofficial London with @DeutscheBank Art. Featuring our Issue 03 with #StudioLenca Subscribe now ---> the-unibrow.com/subscribe

"She’s smoking and she’s lost in thought, but she’s completely sexy in her imperfections. And I think that’s where I try to find peace with my own disturbances of what I see in the world." #DanielleMckinney, The Unibrow Issue 03 the-unibrow.com/interviews/d…

Driven by the challenge of capturing what he saw or experienced, #KristofSanty kept expanding the scope of his reference imagery and the ways and tools he could wield to represent it. Completely removed from storytelling, his entire practice boils down to an interest in how to paint something, and in how many ways there are to paint it. the-unibrow.com/daily-brows/…

“What I value most about painting is the kind of connection it allows me to have with people..." —Jenny Morgan, in The Unibrow, Issue 03 the-unibrow.com/stories/the-…

How Does a Building Forget? #BunaVarna in Bulgaria is trying to find out. A report by Charles Moore in Varna. the-unibrow.com/daily-brows/…

Bringing together over 200 years of storytelling, "The Horror Show" at @AcademyMuseum explores why horror films matter so deeply to so many of us. The objects alone are worth the visit. From #Alien and #TheRing to #TheExorcist and #TheConjuring, the exhibition brings some of cinema’s most iconic nightmares into the museum. So we got them on the podcast... the-unibrow.com/daily-brows/…

“Most artists that I truly love are extreme introverts and they have no idea where the talent came from. And they don’t boast about it." —Danielle Mckinney in our Issue 03 Read the interview here —-> the-unibrow.com/interviews/d…

On this episode of The Unibrow Radio, we continue our Ghost in the Gallery series, where we look beyond the art inside our beloved cultural institutions to the things that can’t quite be explained. But today, we do things a bit differently... we talk to @AcademyMuseum about #TheHorrowShow the-unibrow.com/daily-brows/…

Frontal, in the Extreme Tidawhitney Lek Has Nothing to Hide Story by David Pagel // Portrait by Alex Nicholson the-unibrow.com/stories/fron…