XY(Z) debug view (2024)

CORPORATE DUBSTEP SAVED MY LIFE An excerpt from @TaborRobak's exhibition with Super Dakota in 2024 💥

🍊🍊🧯 7⃣7⃣🍊 🍌🍌7⃣

We cordially invite you and your friends to the opening of the exhibition on October 15th, 2026, 7 p.m. Opening of the Exhibition FRANKE / JÄGER. KUNST UND KONSTRUKTION Museum Folkwang Words of Welcome 🟪Peter Gorschlüter (Director Museum Folkwang) 🟪Thomas Seelig & Noa Lohrmann (Curators of the exhibition) 🟪Elke Seeger (Professor Folkwang University of the Arts) @Foundation_HWF

Thames Barrier, 2025 @annaridler

First it went slowly. For decades Vera Molnar worked with her machine imaginaire, then with actual computers and plotters, quietly building one of the foundational practices of algorithmic art while major institutions mostly looked the other way. Then it’s happening all at once. As @michaelspalter noted: the canon has shifted. Algorithmic code now stands beside paint and stone.

"In the 5 & 10 cents stores we discovered the beauty of washers and bobby pins: Enchanted we stood before kitchen-sink stoppers and glass insulators, picture hooks and erasers."

Big news: @harmvddorpel presents Entfaltung at @ArtBasel Miami Beach 2026, a joint project of Interface Gallery and Lohaus Gallery in Zero 10. A living drawing, computed live on Ethereum, from Emma Kunz to Vera Molnár and Manfred Mohr. Making its debut at Zero 10 Art Basel Miami Beach Zero 10, led by @karenarchey @eli_schein & @nicoleasales

Vera Molnar’s legacy keeps unfolding. On 17 November 2026, Radius Books publishes Vera Molnar: Variations. A new monograph on one of the foundational figures of computer and generative art.

Harm van den Dorpel De Stijl, from ‘Stained Unravel’, 2026 Collected by @zaphodok Presented in collaboration with @Interface_art

Thank u everyone who supported this show. Even if it was just a like. It’s really hard doing this on your own. (With awesome team at verse providing platform) hate how dominant energy revolves around sales. But super grateful 4 all the great wider dialogue that came out of this.

Minting on Verse this week Kevin Esherick, Homages From @heft_gallery Patrick Tresset, Seven Traits From @hash_gallery Tabor Robak, Human Resources From @solos_gallery Minting now open ↓

𝔗𝔒𝔇𝔄𝔜 3.33 𝔭𝔪 𝔈𝔖𝔗 𝔓𝔞𝔯𝔨𝔢𝔯 ℑ𝔱𝔬 & 𝔈𝔳𝔦𝔩 𝔅𝔦𝔰𝔠𝔲𝔦𝔱 𝔗𝔥𝔢 𝔑𝔦𝔤𝔥𝔱 𝔓𝔞𝔯𝔞𝔡𝔢 𝔬𝔣 33 𝔇𝔢𝔪𝔬𝔫𝔰

JON RAFMAN PARKER ITO PETRA CORTRIGHT EVIL BISCUIT Felix Art Fair February 25 – March 1 Hollywood Roosevelt Hotel List of works 🪡 ↓

We are pleased to announce that Counterspace by @dotjiwa will be released on Met Digital next Tuesday, February 24. It will be the first series to be minted directly on Galerie Met’s new digital platform. Thank the team at @verse_works for helping to implement the powerful Verse Tech Suite! Allowlist sale: Tuesday, Feb 24, 9AM PST / 6PM CET ntent.genesis, Axo, & 1/1's holders - 1 reserve per work Wednesday, Feb 25, 9AM PST / 6PM CET DDUST and Portraits I holders - 1 reserve per work Public sale: Thursday, Feb 26, 9AM PST / 6PM CET Reducing supply mechanics: 1 work reduced 2 hours, 12 works reduced per day Price: 150 USD View the works here: digital.galeriemet.com/serie…

Coming soon.

7/7 If you’ll be in Los Angeles, we’d be happy to welcome you at Felix Art Fair. For further information about the works, please contact leyla@solos.gallery.

6/7 All four artists chart an evolution, from the internet's early utopian promise to its current algorithmic complexity, representing an ongoing investigation into how digital culture continues to reshape aesthetic possibilities.

5/7 Evil Biscuit represents the generation that inherited this lineage. Emerging out of the Web3, his digital collages compress a dizzying number of references and images into new, unstable compositions embracing the network's logic of appropriation, recombination, memetic mutation.