Delighted to share the cover for On Posthuman War was selected for @CommArts Typography Annual 13!
AD: Ana Bichanich
Editor: Douglas Armato
Editorial assistant: Zenyse Miller
Publisher: @UMinnPress
Atlas Typewriter from @carvalho_bernau (ASCII art)
Graphik from @commercialtype
ALT Cover design for the book On Posthuman War by Mike Hill. Cover artwork is a camouflage pattern in the form of ASCII art.
NEW: The Food Issue, a type specimen for immersive reading. Edited by @litherland, designed by Nikhil Misra, built by Daniel Gamage
foodissue.commercialtype.com
Really excited to have contributed all of the illustrations for this one! And I got to collab with @diandrecaprice on the Beef Patty illo 😀
(I made these like 6 months ago so its Disco Diffusion not Stable Diffusion in most places)
NEW: The Food Issue, a type specimen for immersive reading. Edited by @litherland, designed by Nikhil Misra, built by Daniel Gamage
foodissue.commercialtype.com
NEW: The Food Issue, a type specimen for immersive reading. Edited by @litherland, designed by Nikhil Misra, built by Daniel Gamage
foodissue.commercialtype.com
Explore the text faces from our library in six different kinds of articles, all centered around food and eating: an interview with @hels by @navalang, short fiction by @robinsloan, an essay by @helfitzgerald, a news story by Daniel Pravit Fathke, a recipe by Diane Chang…
...and an listicle written with help from the folks at Kuih Cafe, a Malaysian snack shop around the corner from our office in New York.
Illustrations by @dvsch, with help from @diandrecaprice.
We hope you enjoy it!
foodissue.commercialtype.com
Check out this great new release from @letterror, LTR Principia: letterror.com/principia/
Berthold Wolpe influence, a lovely italic, a wide range of widths, fish… what more could you need?
Rather than being struck with a punch, sanspareil mats, for very large types, were created as brass or copper ‘stencils’ riveted to a metal backing plate. The rivets are visible in these examples. Invented by Caslon in 1810.
Updated in the Vault: @SNugue's asymetrically flared Moulin has been expanded to a full range of weights, from Thin to Super.
vault.commercialtype.com/col…
Miguel Reyes @font_taste also drew a display face to help tie the series together: Lovesong, inspired by Brush Script (designed in 1942 by Robert E. Smith) but usable in all caps.
itsnicethat.com/richard-turl…
As part of @Mr_Turley's guest editorship of @itsnicethat, @greggazdowicz and CS used images generated by GLID-3 as a jumping off point for drawing a fizzy drink logotype. Read all about the process here:
itsnicethat.com/features/mac…
3D graphic by Jae Yeon Kim
🚨 🆕 xyztype.com!
After five years, it was time to upgrade our site with variable fonts, revamped licensing, case studies, fonts in progress, and more.
Our friends GrayBits (graybits.biz) did the design & development, and couldn't be happier.
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