I miss physical buttons so much. Especially in cars.
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The return of the glowing Apple
We brought Touch to the Mac! From the all-new iPad mini to the 14-inch MacBook Pro and iMac... and now MacBook Pro with PROLED XDR Display and Touch, creators have new tools to do their best work yet.
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I don’t care about what they’re saying. I’m buying one anyway.
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darickdang retweeted
Steve Jobs on Touchscreen MacBook: “It doesn’t work, it’s ergonomically terrible”
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History encapsulated. In a PSA dime.
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Big news. I’m the Head of Design at @phantom. Heading into my 8th year working in crypto and I'm not slowing down. Design helped make Phantom feel magical and I’m here to help the team carry the care and craft into what we build next. Thanks for the trust and support from the team. There’s plenty to figure out but I’m looking forward to working through it with the team. Time to build.
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darickdang retweeted
Rise and shine. @JaMorant
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darickdang retweeted
Millennials went from uploading 200+ photos every weekend into random Facebook albums to posting on Instagram once a year
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100%. But FSD is the last piece of technology that's been life changing for me. I've known people who have a stable of Ferraris who prefer driving their Model Y. It's that good.
I'm not a tesla booster at all. not a fanboy. never have been. finally bought a Y and I keep thinking this is a completely novel car experience. it's like car 2.0. features I could never have conceived of. and it involves almost no driving. nuts
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We’ve been assigning wealth and status to the car you drive but the gigabrain move the entire time was to never have to drive at all
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Celebrated my birthday in Mexico City this past week. Amazing city. The colors and flora were S-tier. Food was exceptional. Can't say enough good things.
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All photos shot on an 18 Pro Max 🤌
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darickdang retweeted
Le genre de détails que j’adore.
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darickdang retweeted
convergence to the mean when everyone looks at everyone else to decide what to make, we eventually stop making anything of our own. we copy what works. borrow the language, the aesthetic, the features. we call it learning from the market, following best practices, staying competitive. together, everything starts to feel familiar. polished, interchangeable. nothing wrong. nothing alive. the mean isn’t necessarily bad. it’s where everything lands when we remove the reasons for it to be different. numbers are easier to compare than feelings, so we make things that produce numbers. we study what gets attention, then shape ourselves around it. eventually the feedback stops informing the work and starts authoring it. we’re no longer asking what we want to say. we’re asking what will be rewarded for saying. ai makes this loop frictionless. it can draw from more references than we could see in a lifetime. but access to every perspective isn’t the same as having one. it hasn’t lived a particular life that makes one detail unbearable and another beautiful. when we ask it to choose for us without bringing any intention of our own, we get something plausible, easy to approve. then we ship it, measure it, copy it, and feed it back into the next round. a tidal wave of mid. this changes not just the work, but the people making it. we describe ourselves in categories platforms can distribute and markets understand. designer. founder. creator. pick a niche. build a brand. be consistent. the parts that don’t fit become inconvenient, even when those contradictions might produce our most interesting work. we become easier to classify and harder to tell apart. i think we need to approach making things more like artists. an artist develops a perspective through the work. making, noticing, choosing, failing, returning. learning what matters even when nobody else cares. craft gives that perspective a form precise enough for someone else to experience. the life outside the work matters too. the places you’ve lived, the people you’ve loved, the things you’re embarrassed to care about. these aren’t distractions from having something to say. they’re how you come to have something to say. we understand this with music, paintings, photographs, movies. we expect a person to be present in the choices. we want to experience something we wouldn’t have encountered without them. software can do this too. a piece of software expresses beliefs about how life should feel. what deserves your attention. what you should be free to change. whether a task should feel like paperwork or play. even a small interaction can carry someone’s care, humor, or curiosity. but we rarely talk about software as a medium. we talk about it as an industry. markets to capture, workflows to optimize, competitors to catch up with. we add a feature because someone else has it, without asking whether it belongs. products accumulate the same parts and lose what made them worth choosing. underneath the branding, it’s all the same thing. artists learn from others too. the question is whether you’re absorbing those influences into a point of view, or using them to avoid developing one. what are you trying to let someone feel, understand, or do? why this particular shape? what have you noticed that the existing tools don’t seem to notice? those questions don’t have answers you can borrow from a competitor’s roadmap. if we can make almost anything, deciding what deserves to exist becomes more important, not less. speed gives us more chances to exercise judgment. it doesn’t remove the responsibility. i don’t want a world where every person becomes a more efficient distributor of the same ideas. i want people to use these tools to go further into what they actually care about. to make things specific enough that we can feel someone behind them. what is the point of everyone being able to make something, if we all end up making the same thing?
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Every few weeks, I think about how easily Satoshi Nakamoto could onboard a whole new wave of young Bitcoiners
Satoshi Nakamoto x Vans drop is already cooked and it’s only 10am 😭
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darickdang retweeted
UPTOBER 🎃
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Everybody was thinking it
Portland Trail Blazers coach Micah Nori believes starting Ja Morant and Damian Lillard together doesn’t make any sense, per @jwquick “Nori said that starting Morant and Lillard doesn’t make sense. Both are undersized, and both have never excelled on the defensive end. The more analytically sound option would be to start Holiday — a bigger guard who is an exceptional defender — and have either Morant or Lillard come off the bench.” (Via nytimes.com/athletic/7647793…)
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"Thinking about interfaces is thinking too small"
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