Hey (with the intention of X-raying our entire relationship/practice over the last decade, staging it with 14 dancers, 6 actors, 3 engineers, live musicians, into an 80-minute performance in November at a major museum in NY, live-streaming it globally and calling it Act III)

You know something real is in the works when several of your collaborators mention that they are having ideas in their dreams about the show ▪️ #HUActIII Five live performances Nov 19, 21, 22 @whitneymuseum & Global livestream viewings at partner institutions (TBA) VAMOS!

Something cooking with @operator_______

I grew up in my family's antiques business, surrounded by objects that had already outlived generations. They made me wonder if something created today could ever carry the same weight of time. That's where the idea for 𝐅𝐔𝐓𝐔𝐑𝐄𝐃 𝐏𝐀𝐒𝐓 first took root.

Q: “Open browser tab count?” A: “2 to feel in control. 30 when no one's watching. 13 as I write this.” Dejha Ti (@dejhati) takes the SYSTEMS Artist Survey.

“Human Unreadable: Body not included” On July 23 in Venice | A performance as part Strange Rules, an exhibition of protocol art at Palazzo Diedo @berggruenInst curated by @matdryhurst @hollyherndon @HUObrist w/ Adriana Rispoli Performed by Valentina Peruch & Giulia Padovan

It feels surreal to finally share this news: The world premiere of Human Unreadable Act III will take place in November at The Whitney Museum of American Art @whitneymuseum curated by Christiane Paul @ChristianePaul2. This live multimedia performance is the final act and culmination of Human Unreadable, our generative choreography work unfolding in three acts since 2023. Act III is an autobiographical evening-length work examining negotiations between the body, ambition, technology, and our relationship. The performances will take place in the Whitney's Susan and John Hess Family Theater on November 19, 21, and 22. Holders of Human Unreadable #2-#101, your choreographic scores will be performed within this show.

Today there are hourly performances of Human Unreadable: Body not included at Palazzo Diedo in Venice @berggruenInst as part of the protocol art exhibition Strange Rules. 12-6! Free and open to public. The sequences being performed in this work are the following: #3 #51 #98 #42 #30 #95 #93

Röntgen took the first ever human X-ray, of his wife Anna Bertha Ludwig's hand, on 22 December 1895. After seeing the ghostly image of the bones in her hand for the first time, she reportedly exclaimed: 'I have seen my death'.

Human Unreadable: Body not included (2026) is a new performance by Operator that exposes the choreographic infrastructure of their work Human Unreadable. The work deploys the outputs of the Human Unreadable algorithm as the raw material for a live performance the algorithm specifies but cannot itself perform.

Venice calling ☎️

Are you a Human Unreadable performance mint collector? (#2-#101) We’ll be performing a small selection of performance mint sequences as an installation called “Human Unreadable: Body not included.” This is part of the protocol art exhibition Strange Rules at Palazzo Diedo in Venice on 23 July. Comment below with a sequence from your collection that you want to be considered for inclusion in this installation, we will select 8 from those submitted!

Thank you NY for a magnificently productive week from auditions of 70+ dancers and actors, to leaps made in the design of our Act III choreographic pre-visualization tool, to major progress with @isaacpatka on our upcoming digital commission (performing the archive) 💯

NYC Dancer Casting 🪧Deadline 30 April! We’ve been working on the culmination of Human Unreadable, the Act III performance, and are casting dancers for this new evening-length work’s premiere at a museum in New York (November 2026). Submit via DanceHypha or our website, links ⬇️

Thank you everyone who tuned into our SOURCE generative art lecture last night @socialsoftware_ @UCLA_DMA @genartfound and the wonderful @REAS for hosting us! Stay tuned for the recording 💕

In the thick of it with @isaacpatka 🖤 The Repeat as necessary performance operating system is coming in hot

Operator Generative Choreography Method painting being installed for the Digital Art Awards exhibition at @phillipsauction in Hong Kong ❤️@hofagallery

FEMGEN and the Brave New Art World Reflecting on a year of critical conversations & a legendary event rightclicksave.com/article/f… With thoughts from: @liasomething, @operator_______, @TaisKoshino, @5putniko, @mwiederrecht, @alidasun, @sarah_ridgley & more @artnome nails it: