EP17完整复现输入。
来源视频:
nitter.siddz.com/ItsMaryamAi/status/211…
作者公开提示词:
nitter.siddz.com/ItsMaryamAi/status/211…
发布者ItsMaryamAi;原片创作者和执行模型未知,Seedance2.5可见水印仅属线索。源像素/音频未输入;本轮以固定v6身份图和原创场景参考改编。
提示词自回复 2/3
【ImageGen imagegen-blastwide|provenance/imagegen-blastwide-actual-prompt.txt|2551 chars|SHA-256 73948fc16ad799f5c741731a8b650dbf88cb9e48a6550983ff03e19d598b5cde|refs: P1: heroine-v6-identity.png(固定身份锚点);P2: s03-retained-tail-n095.png(本批次H3原生输出帧(非源片))|模型/seed/steps未知】
Use case: identity-preserve.
Asset type: original landscape 16:9 cinematic shot-planning still for an AI film.
Input image 1 is the approved Fang Zhiwei (方知微) identity sheet: left clear large portrait alone fixes face/facial structure/age/base skin; right turnarounds fix physique. Default long near-center-part dark brown-black waves; office clothing and studio pose are not fixed. Input image 2 is an ACTUAL selected preceding video frame: use its same unbadged silver wedge coupe, amber front strip, dark windows, black tires and intakes, two near-side rectangular blue-white hover modules, driver black leather jacket and secured harness, sunset industrial harbor. It fixes current low-hover state and object design, not a pixel-locked new frame or 3D scene.
Create a NEW much wider front-left three-quarter exterior coverage view of that SAME car already hovering level above the same port road, nose pointing screen-right. Both near-side wheels remain normal and visibly off the road with a clear air gap and two restrained downward blue-white module plumes. No landing or repeated takeoff.
COMPOSITION IS CRITICAL: the entire coupe occupies ONLY ABOUT 45 PERCENT OF THE IMAGE WIDTH, positioned in the RIGHT HALF, centered approximately at horizontal 70 percent and vertical 55 percent. Its rear, nose, roof and all visible wheels have comfortable margins; absolutely no clipping. Leave a large EMPTY road area in the LEFT HALF and behind the car, for a later fictional blast effect. There is NO explosion yet. The background must be wide enough to read cranes and harbor water to screen-left, container stacks to screen-right, long asphalt road receding behind, warm sunset glare and orange haze. A distant generic black-and-white pursuit SUV may be small far behind, separated by much empty road; no close contact or collision.
Fang Zhiwei stays seated at the left-front wheel with both hands on it and eyes ahead. Her face/body come only from input1, not a new model-default face. She is naturally small in this wide composition, not a portrait. Empty passenger seat. Same black jacket and dark four-point harness. No blonde hair, recognizable actor, new heroine or extra person.
Photorealistic original action-thriller film still, realistic metallic body shape, subtle grain, consistent warm low sun. No fireball, smoke, projectile, flying debris, injury, ocean crossing or pier jump yet. Do not redesign the coupe, add/retract wheels or add modules. No readable lettering, branding, watermark, overlay, border, storyboard panels or collage.
【ImageGen imagegen-pier|provenance/imagegen-pier-actual-prompt.txt|2975 chars|SHA-256 83a7a829486734d349dc6fe590d5b2e70d23a7f50e95a618e2e97b6046bc6093|refs: P1: heroine-v6-identity.png(固定身份锚点);P2: s04-retained-tail-n191.png(本批次H3原生输出尾帧(非源片))|模型/seed/steps未知】
Use case: identity-preserve.
Asset type: new original landscape 16:9 cinematic shot-planning still for the pier-to-sea beat of an AI film.
Input1 is the approved Fang Zhiwei (方知微) identity sheet: clear large LEFT portrait is the sole face/facial proportion/age/base-skin reference; RIGHT body turnarounds are the physique anchor. Retain near-center-parted long dark brown-black waves, not the reference office outfit/pose. Input2 is the ACTUAL selected preceding video tail: same intact unbadged silver wedge coupe, thin amber front strip, dark glass, black tires/intakes, two near-side rectangular hover modules with blue-white downplumes; Fang Zhiwei seated at the left-front wheel with both hands on it, black leather jacket and four-point harness. Preserve that current level low-hover state, not a new grounded car.
Primary request: create a NEW wide side/front-left coverage shot a few moments later at the END OF AN OPEN CONCRETE PIER in the same golden-hour industrial port. This is a deliberate location/time ellipsis, not a pixel-matched continuation or a 3D scene lock. The same coupe is entirely above concrete on the LEFT half of the frame, moving conceptually toward screen-RIGHT, its nose heading toward open water ahead. Make the pier's abrupt physical edge clear at about 65 percent across the image; visible vertical concrete end face below it, uninterrupted real sea surface beyond to screen-right. NO wall, fence or barrier crosses the car's route at the pier end.
Composition: entire coupe about45percent image width, centered approximately horizontally34percent and vertically48percent; nose/rear/roof and all naturally visible tires comfortably within frame. Both near-side wheels remain ordinary and visibly suspended above the pier, car level, two near-side module plumes down toward concrete. Leave visible EMPTY SPACE between car nose and pier end, then substantial open sea ahead to the RIGHT. The foreground must clearly distinguish concrete pier from water; the car has not crossed the edge yet. Camera outside on the water-facing side, slightly low but wide enough to read the pier edge and whole vehicle.
Background harbor cranes/container stacks are behind toward upper-left and far shore; the open orange-reflecting sea extends toward a low warm sun and horizon to the right. One tiny generic black-and-white pursuit SUV may remain far back on land at the left rear; do not add people beside the car.
Driver identity/body from input1 only; natural small face in wide view, black jacket/harness and two hands on same wheel, empty passenger seat. No blonde/source-actor look, new woman or recognizable public figure. No explosion, fire, projectile, crash, injuries, boat crossing, giant waves, spray or long wake yet. No redesigned car, extra wheels, folded wheels, extra thrusters, logos, readable text, watermark, collage or overlay. Realistic original action-thriller film still, metallic sunset reflections, restrained haze and fine grain.
【MiniMax H3 Ref2VA S03|segments/s03/prompt.txt|6892 chars|SHA-256 dc95e766edc12aa8f35ece725811a97fa7b92cfe673b1d9f9421c2a233f3963f|8s,24fps,1664x928,192f,12 steps,Euler/simple,LoRA 0.80/0.45,seed 2112219103|actual node401 byte-identical|refs: Picture1: heroine-v6-identity.png(固定身份锚点);Picture2: s02-retained-tail-n191.png(本批次H3原生输出尾帧(非源片));Picture3: exterior-original-v1.png(港口外景规划)】
subject_definitions:
<Picture 1> is the user's approved v6 identity reference for Fang Zhiwei (方知微). Its clear large left portrait controls her face, facial proportions, age impression, and base skin tone; its complete right turnaround controls her physique. Her default long near-center-parted dark brown-black waves remain the hair anchor.
<Picture 2> is the actual retained final frame n191 from S2, showing the original silver coupe already in a low hover, nose pointing screen-right, with two visible near-side hover modules, the driver behind the glass, and the golden-hour harbor road. It provides the current vehicle and hover state, not a pixel-locked first frame or the composition for this wider coverage shot.
<Picture 3> is an original exterior shot-planning reference for the unbadged coupe, industrial harbor road, sunset, water, and three pursuing police vehicles. It guides the wider group composition and broad geography, not a source-video frame or a 3D scene lock.
<Subject 1> is Fang Zhiwei, an adult woman whose face, age impression, base skin tone, physique, and default dark waves are controlled only by <Picture 1>; when visible, she wears the same black leather outerwear and secured harness.
<Subject 2> is the same unbadged silver futuristic coupe shown in <Picture 2> and planned in <Picture 3>, with its low wedge-shaped body, narrow unmarked lights, dark windows, black lower intakes, four ordinary tires, and two near-side rectangular blue-white hover modules.
<Subject 3> is the golden-hour industrial harbor road beside open water, with distant cranes, container stacks, a low road barrier, and warm sunset reflections.
<Subject 4> is exactly three generic black-and-white police SUVs following <Subject 2> on the road at a clear, safe distance, with no readable agency names, badges, or logos.
summary:
[reference generation] Create one eight-second wide exterior tracking shot that re-establishes the three-SUV pursuit around <Subject 2>, already hovering as shown in <Picture 2>. <Picture 1> alone controls Fang Zhiwei's identity; <Picture 3> guides the wider harbor composition and pursuit arrangement. This is a deliberate wider coverage cut, not a seamless frame match.
retention_analysis:
<Picture 1> ([Shot 1] identity reference): fully_preserved - retain Fang Zhiwei's face, age impression, base skin tone, physique, and default dark waves without copying the office clothing or studio pose.
<Picture 2> ([Shot 1] current car-state reference): partially_preserved - continue the same silver coupe in a level low hover with its nose facing screen-right; change to a wider group composition rather than matching the frame exactly.
<Picture 3> ([Shot 1] shot-planning reference): partially_preserved - use its industrial harbor, sunset, road, and three-vehicle pursuit arrangement as broad visual guidance without pixel matching or claiming a 3D lock.
<Subject 1> (appears in [Shot 1]): fully_preserved - retain the v6 identity and, where visible, the black jacket and secured harness.
<Subject 2> (appears in [Shot 1]): fully_preserved - retain the same unbadged coupe, its screen-right heading, and the established low-hover state.
<Subject 3> (appears in [Shot 1]): partially_preserved - retain the broad harbor-road setting and warm sunset while using a wider view than the preceding segment.
<Subject 4> (appears in [Shot 1]): fully_preserved - establish exactly three separate generic SUVs trailing the coupe at a safe distance; keep them on the road without passing or contacting it.
detailed_description:
Keep the golden-hour action-thriller look, realistic metallic reflections, and subtle orange haze. Use one uninterrupted, moderately wide front-left three-quarter tracking shot. This is an intentional coverage cut to a camera placed farther back and slightly wider than S2 so the pursuit group can be read; do not claim a seamless continuation from the prior frame. Keep <Subject 2> completely inside the image at roughly 55–65 percent of frame width, leaving visible margins around its nose, tail, and wheels. Show the harbor road, water, cranes, container stacks, and sunset from <Subject 3>. <Picture 3> guides the group spacing and broad background; it does not fix exact geometry. <Subject 1> may be visible through the dark windshield in the left-front driver position, with dark waves, black leather jacket, and harness. Her face and body remain defined only by <Picture 1>; do not enlarge her into a separate close-up.
[Shot 1] At 00:00.000, <Subject 2> is already moving steadily from screen-left toward screen-right, level and continuously suspended in the same low hover state shown by <Picture 2>. Its two near-side modules glow blue-white with restrained downward light plumes. Do not put the tires back on the ground, repeat the lift, raise the car higher, retract or deform its wheels, or alter its nose-right travel direction. The camera opens at the wider coverage position, then tracks smoothly at the coupe's pace without a cut, zoom, orbit, shake, or abrupt scale change. Exactly three distinct <Subject 4> SUVs are readable behind it on the same road: one nearest in the far lane and two progressively farther back, with visible gaps between each vehicle and the coupe. Keep the police vehicles behind; none overtakes, collides, multiplies, vanishes through a cut, or changes into another vehicle type.
From 00:02.000 to 00:05.000, maintain the same low-hover state and level body attitude as the coupe advances. Preserve the silver wedge silhouette, narrow lights, dark windows, black lower intakes, four normally shaped tires, and two near-side modules. Allow natural perspective and body occlusion; do not force all four wheels into simultaneous visibility. Hold all three SUVs in a readable trailing formation, safely separated on the pavement.
From 00:05.000 to 00:08.000, continue the same steady hover and screen-right heading. Keep the full coupe and all three trailing SUVs legible with sensible margins; maintain their order and safe spacing. End with the silver coupe still leading in a stable low hover and the three SUVs still behind, setting up a later chase beat without adding it here. No rocket, projectile, impact, explosion, sea crossing, pier jump, roll, flip, landing, new shot, brand, or readable text.
overall_soundscape:
Newly generated harbor-road ambience continues the restrained strategy of the prior segments: a low engine tone blended with soft hover-module airflow, faint distant port ambience, and mild road-wind texture. Keep it controlled and consistent; no copied source audio, sirens, speech, or intelligible words.
non_diegetic_music:
Newly generated restrained cinematic tension music continues the established low-string and measured pulsing-synth palette, with sparse soft percussion. Maintain a steady, modest level without a new impact cue, vocals, or abrupt transition.
【MiniMax H3 Ref2VA S04|segments/s04/prompt.txt|7456 chars|SHA-256 3f52c7bb73264209fd150045b0384d12a031b56049c9095fef7914379279487c|8s,24fps,1664x928,192f,12 steps,Euler/simple,LoRA 0.80/0.45,seed 2112219104|actual node401 byte-identical|refs: Picture1: heroine-v6-identity.png(固定身份锚点);Picture2: officer-original-v1.png(警员姿态规划);Picture3: car-wide-hover-original-v1.png(宽景车辆规划)】
subject_definitions:
<Picture 1> is the user's approved v6 identity reference for Fang Zhiwei (方知微). Its clear large LEFT portrait alone controls her face, facial proportions, age impression and base skin tone; its complete RIGHT turnaround controls her physique and body proportions. Her specified 175 cm height is a user setting, not a measurement from the image. Her default long near-center-parted dark brown-black waves remain the hair anchor. The small blurred faces in the turnaround must not redefine her face.
<Picture 2> is an original fictional harbor-side adult-officer shot-planning image. It provides only a generic helmeted officer's pose, dark non-identifiable uniform, two-handed shoulder-held rocket launcher, and broad sunset-harbor staging. It does not provide a real person's identity, and its cropped lower legs are not a requirement to copy.
<Picture 3> is an original generated wide shot-planning reference built from the actual selected S3 hovering-car tail and <Picture 1>. It guides the unbadged silver coupe's already-hovering state, screen-right nose direction, broad harbor geography, golden light, road placement and visual margins. It is not an exact first frame, a 3D lock, or an identity source for the driver.
<Subject 1> is Fang Zhiwei, the adult woman whose face, age impression, base skin tone, default hair and physique are controlled only by <Picture 1>.
<Subject 2> is one fictional adult harbor patrol officer, with a generic dark uniform, gloves and plain protective helmet, without recognizable real-person likeness, readable badge, text or insignia.
<Subject 3> is the original unbadged silver futuristic coupe already in a low hover, with dark glazing, four ordinary black tires and two visible near-side rectangular underside hover modules; far-side wheels and modules may be naturally occluded.
<Subject 4> is the golden-hour industrial harbor road, with water and quay to screen-left, container stacks to screen-right, distant cranes and open asphalt.
summary:
[reference generation] Create an original eight-second two-shot action beat in the same broad sunset-harbor setting. <Picture 1> alone anchors Fang Zhiwei's identity; <Picture 2> guides a fictional officer-only setup; <Picture 3> guides the wide already-hovering coupe shot and road geography. A single rocket launch from the officer is directed toward empty asphalt well behind the car; a distinct cut reveals a brief road-level fireball, after which the coupe rises modestly and remains in controlled low hover. No person or vehicle is struck.
retention_analysis:
<Picture 1> ([Shot 2] driver identity): fully_preserved - retain Fang Zhiwei's v6 identity and physique; do not copy its office clothing or neutral studio pose.
<Picture 2> ([Shot 1] officer pose and composition): partially_preserved - use a fictional adult officer and the general two-handed shoulder-held prop pose; the source is a planning image and does not define an actual firing result.
<Picture 3> ([Shot 2] coupe and harbor staging): partially_preserved - retain the silver coupe concept, already-hovering state, screen-right direction, wide margins, sunset and port geography while allowing a new action and camera motion.
<Subject 1> (appears in [Shot 2]): fully_preserved - preserve v6 face, age impression, base skin tone, hair and body proportions; keep her safely seated and belted in the coupe.
<Subject 2> (appears in [Shot 1]): partially_preserved - create one anonymous fictional adult officer without recognizable identity, badge or source-actor likeness.
<Subject 3> (appears in [Shot 2]): partially_preserved - keep the unbadged silver coupe intact, already hovering, with screen-right travel direction and no collision.
<Subject 4> (appears in [Shot 1], [Shot 2]): partially_preserved - keep the broad sunset harbor road layout legible; this is not a pixel-matched environment.
detailed_description:
This grounded cinematic action beat uses warm sunset reflections and restrained orange haze. It cuts from an officer setup to a separate wide vehicle view. <Picture 2> and <Picture 3> are shot-planning references, not exact first frames. No source-video pixels, identifiable source actors, logos or readable insignia are used.
[Shot 1] A medium-wide profile view places <Subject 2>, a fictional adult harbor patrol officer in a plain dark uniform, gloves and protective helmet, at the far-left roadside. Keep the whole shoulder-held rocket launcher visible between both hands, with the helmet and upper body inside frame; the lower legs need not be shown. The officer faces screen-right toward a clearly empty stretch of asphalt beyond frame. <Picture 2> guides only this generic pose and officer framing. From 00:00.000 to 00:01.400, the officer holds a steady aim without aggressive body motion. From 00:01.400 to 00:02.400, one brief rocket launch sends a small bright rocket streak toward empty road well behind the car's later position. Do not show weapon internals, construction detail, repeated firing, a human target or a vehicle being hit. From 00:02.400 to 00:02.600, keep the same officer view as a short smoke trail disperses and the officer holds his pose until the cut. The road remains clear of people.
[Shot 2] At 00:02.600, cut decisively to a wide front-left tracking view of <Subject 3> in <Subject 4>, guided by <Picture 3>. The coupe is already in low hover at the cut, nose aimed screen-right, occupying the right half with its full front and rear margins visible. Water and quay remain to the left, containers to the right, and golden sunset light glints across the silver body. <Subject 1>, Fang Zhiwei, remains seated in the left-front driver position, wearing a plain black leather jacket and a securely fastened four-point harness; if her face is visible, its identity comes only from <Picture 1>. At 00:02.600 to 00:03.600, a single compact orange fireball blossoms at road level on the empty asphalt behind the coupe, well separated from the car and any people. The effect stays behind the vehicle, never inside it or under its wheels. The car does not collide, deform, spin or lose control. From 00:03.600 to 00:06.800, the intact coupe rises only modestly above its existing hover height while continuing smoothly screen-right, clearly clearing the brief blast without an abrupt launch or extreme ascent. One generic patrol SUV may remain small and distant behind the car; smoke or perspective may partly obscure it. Do not require three SUVs in this reference-led shot, stage a collision, or add another effect. From 00:06.800 to 00:08.000, hold a stable low hover over the road before the pier; the car remains fully framed with comfortable margins and the sunset harbor axis intact. Do not transition over open water or begin the next segment's sea flight. No injury, gore, explosion contacting the car, additional firing, camera whip, zoom-in, logo, forced name call or dialogue.
overall_soundscape:
Newly generated harbor ambience with soft wind, distant port machinery, low road and engine noise, one restrained launch transient and one brief distant road-level impact. No copied source audio, sirens, intelligible speech or vocal effects.
non_diegetic_music:
Newly generated restrained cinematic tension music with low sustained strings, a subtle pulsing synth and sparse percussion. Let it tighten slightly across the cut and settle as the coupe stabilizes; keep it beneath the scene sounds with no vocal layer.
R2成片选段:S3 [24,96) 3秒(原生后半落地段已裁);S4完整8秒,警员/发射器构图较紧。仅稀疏抽帧评审。