¡Ya en línea mi página web!: ➡️ geovannygavilanes.net ⬅️ Les invito a checar los proyectos gráficos y académicos. (☞ﾟ∀ﾟ)☞ Abierto para colaboraciones. Envíame un DM ⚡️ #diseño #design

I should be in Japan at a vinyl bar listening to jazz right now.

Merry Christmas Mr. Lawrence (1983), scored by and starring Ryuichi Sakamoto, is now playing on the Criterion Channel! criterionchannel.com/videos/… #skmtnews #RyuichiSakamoto #MerryChristmasMrLawrence #Christmas #christmasmovies

Kojima designing the maps and camera positions for Metal Gear Solid with Lego is one of my fave behind the scenes gamedev moments

From Aphex Twin to Squarepusher to Flying Lotus, here are the braindance greats Our list of the 50 best IDM albums of all time 🔗 : p4k.in/rw7HHuE

Ian Curtis, forever. 📸 @KCMANC

Ayuda, quiero entrarle al ambient

SKMT | dig In August 1986, Ryuichi had three short weeks at The Wool Hall Studio in England to write and produce Virginia Astley's album, "Hope In A Darkened Heart." Ryuichi performed and recorded the base instrumentals for six tracks on the album.  The backing track for 'Some Small Hope' was sequenced on the Fairlight 3, the synth pad from the Prophet 5, and the 'woodwind' (shakuhachi flute) sections originating from the Emulator II. Additionally, Ryuichi scratched the strings of the piano with his fingers in the studio, captured by engineer Tony Phillips, and included in the final mix. Ryuichi's equipment: Emulator II, Fairlight 3 (with Fairlight 1 sounds disc), Prophet 5, AKAI S-900, Yamaha DX7-2, Computer. Link to the full album: virginiaastley.bandcamp.com/… 1, 2 - Photo by Ryuichi Sakamoto  3, 4 - Photo by Masaki Sekijima From Sessions at The Wood Hall Studio, England Sources: Virginia Astley website virginiaastley.com/disc/albu… David Nibloe's interview with Masaki Sekijima, 2019 sylvianvista.com/2019/10/11/… #skmtnews #ryuichisakamoto #坂本龍一 #SKMTDIG #virginiaastley #hopeinadarkenedheart

.@NTSlive. 5pm UK. nts.live

fukeiron 🗻

Nujabes vive

at my dj set after porchfest dude politely asked me, “may I flute over this?”