ordinary man

Vancouver, British Columbia
Chris Brookfield retweeted
This is a base-setting for our species. I’ve heard other interviews with this man and he is also a mathlete. This is what all humans are capable of, if there is safety and security. Now I have no idea what his personal life or childhood was like, but he seems to have figured 1…
We've got another electric post-game interview from Devin Cooley 🔥
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this sunny sunday in vancouver was a sex party. late summer 74 degree bacchanalia. amateur olympiads, tight two pieces, bouncing volley balls all over the beaches. and lovers, hand in hand, around each bend. making out in broad daylight as if mourning incipient, endless gloom.
Everything is dying. The world is dying to be born again. Goth sex.
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this is one of the dopest pieces of infrastructure since digital communications. it lets you build intimate, real and relational micro services; by and for your own community, with their values. if we can gel the pattern, it can replicate far and wide. sayonara, uber; motherf@&$r. it could be like ios for *your* community.
I still want you to opt in, need 57 more ppl before demo day on Friday, go like my tweet!
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i’m feeling warm and toasty. if anyone out there is in vancouver, come to our meditation at 5:30 on monday evenings at the yurt.
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tpot might love this.
No exaggeration, this guy might be the best interview in pro sports right now
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art is magic. art that sells is market magic.
A piece of mine is premiering at the local gallery tomorrow night with a big show and I was talking to my friend about something similar. They say oh the reason why art pieces like a blank canvas or a banana taped to a wall nonetheless go for millions of dollar is theyre just vehicles for money laundering and while I think thats true, on another level, its as if ALL art is a sort of money laundering The technical skills to art are relatively simple and easy to learn. A child knows how to fingerpaint or take a crayon to a wall. Art is a primal human skill on the level that people who lived in caves could do it. So what makes one art piece more valuable than another? On the simple and mundane level, its just psyops. To engage with art is to engage with a piece of the mind of the artist. There is no real way to separate the art from the artist because art is the expression of the mind of the artist. It is money laundering because its not actually the physical art piece thats being bought. What is actually being bought is mental, energetic, and karmic proximity to the mind of the artist. But on the level of reality, it is also money laundering. In Kabbalah, all money comes from God and the work that we do is largely unrelated to the money we receive. We must do our jobs for both tikkun olam and also to provide a vessel/channel through which God can launder money to us. Art is one of the best examples of this because a piece can sell for nothing or absolutely insane amounts of money and there seems to be almost no rhyme or reason to it at first glance. Yet if we remember that art is a piece of the artist's mind it makes perfect sense. One isn't really being paid for the physical art piece, but the beauty of their mind and the level of desire that engenders in others to foster karmic proximity to it. And maybe this is just because I am an abstract artist and into Tibetan Buddhism- back to the art being inseparable from the artists mind- but the place I disagree with OP is that the separation from concepts is what makes art powerful. To bypass the egoic and discursive mind in order to share your own is precisely why thangkas are so psychoactive. What is my painting "of"? Nothing. Vibes. My karmas at the time I painted it, which is nothing you can actually name in an ultimately nonconceptual reality. Good art isn't "of" something the egoic and discursive mind can name. Its a vibe, just like everything else, and perhaps good art can invite the viewer to see that
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is this your art? 🥰 magic
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intuition here, but i thought you might like this and i am curious for your take on it @leahprime
wait rabbit, now i’m confused. i mean, i like some science with the best of them. and i totally believe magic is real. like real, real. really just stuff that has worked for ages and science has had time to catch up with. the magic that doesn’t work is just a bad trick.
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no. i don’t think it is a category issue. like, do you see that Elon Musk obviously casts spells? the whole mars, moon colonization thing is obviously fake. he doesn’t give a shit. he just wants to make robots. but he figured out that using these words and images from sci-fi turn people into his minions. like his whole Kardashev Type II is not real. it isn’t something people care about. It is a spell. for certain kinds of people who were conditioned by a mix of physics, sci fi, and cypher punk, it literally takes over their minds. that is literally magic in my book. most of marketing, frankly, seems obviously magic to me. great brands like the nike swoosh and apple, just magical spells don’t get me started on poetry and sex magic.
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yes. i read the paper. i would not expect you, or me, to be able to backwards infer her paper from dharma. but that does not make it a discovery, or unexpected, except possibly in the narrowest collegial sense, within her immediate community. i am not commenting on your summary here, except contingently. i am thankful for your summary, as i am for all of your work on x. i was mainly commenting on the public announcement and use of language. possibly you, and probably many others, are not aware of a well considered movement among scientific theorists that sees this language of 'discovery' as a mimetic extension of colonialism, writ large. so when announcements like this are made publicly, the language is not neutral. when i spent months last year in nepal with practitioners and scientists, what may seem like a small nuance on x was a severe pain point for local researchers there. scientific theorists are now imagining new ontologies, and derivative epistemologies, not derived from colonialism. or at least a new inclusive mash-up. i view this as non-trivial to the expansion of dharma. mainly because, in post hoc fitting of meditative insight into western science, we persist the fundamental structure of colonialism. and we limit systems change and human potential; which is my primary experience and concern.
Have you read the paper? I’m pretty well versed in Abhdammic philosophy and various vipassana teaching frameworks and I strongly disagree that this is just an instrumentalization of the bhanga phenomena into legible language for scientific audiences. It’s possible that my rendering of it in this post - where I’m deliberately seeking parallels and poetic resonances between the two has colored your view here. Although there’s some interesting parallels, I certainly don’t think I could have derived all the neural specifics of this paper just by eg reading the Abidhamma. Nor do I think I could derive all of the Buddhist phenomonological insights from reading this paper. I also wouldn’t even be surprised if the specific phenomena being studied in this paper doesn’t even end up correlating to the specific phenomena that’s happening during bhanga experiences.
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inertia to reward keeners who reserve everything months in advance, in an age of real time demand and pricing, gives way
I mean yes, obviously it should cost more to not sit in the middle seat, I demand to get larger and more explicit discounts for my willingness to take middle seats.
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Chris Brookfield retweeted
Replying to @breaking2morrow
we are living in the age of dynamic spirals. to some degree, we may choose whether to spiral up, spiral down, in or out. liberation of course is balanced right there in the middle. ha!
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one thing we have been discussing for a few months in my meditation group is how much simpler and direct spirit can be. we always silently walk through the organic farm. and all of us are struck by the present of beauty in the flowers, the new growth the harvested stubble and the smells of farm life. i am reminded by dogen that this is life, this is nature, this is dharma and this is realization.
i think ive seen 4 different amazing pieces of content today about spiritual practice that all basically say the same thing. and i feel a lot of this stuff ive already embodied, and the process(s) are happening on their own.
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KOWA-BHANGA 😭🙏🤯 - what happens when a secular, western buddhist realizes that there is a whole new universe beyond being nice and mindful- there should be a term for post western ego death. maybe we should call it kowa-bhanga! for the unveiling of the western buddhist ego we thought we had dropped in the first ayahuasca ego death! ha! i do think the first wave of mindfulness is a real, and real good thing. but i also agree with you, that the suttas create a vivid, beautiful cosmology that is more direct, more obvious and way simpler than nostalgic western interpretations that constantly appeal to clinical psychology and western science for their legitimacy and language.
western pseudo-buddhists when they actually read the suttas
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rather than worrying about the traditional systems dynamics, we think about how to give people holding these patterns to create their new local patterns. one person dancing cause the whole room to dance.
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cook on fa-tsang Far away in the heavenly abode of the great god Indra, there is a wonderful net which has been hung by some cunning artificer in such a manner that it stretches out infinitely in all directions. In accordance with the extravagant tastes of deities, the artificer has hung a single glittering jewel in each "eye" of the net, and since the net itself is infinite in dimension, the jewels are infinite in number. There hang the jewels, glittering like stars of the first magnitude, a wonderful sight to behold. If we now arbitrarily select one of these jewels for inspection and look closely at it, we will discover that in its polished surface there are reflected all the other jewels in the net, infinite in number. Not only that, but each of the jewels reflected in this one jewel is also reflecting all the other jewels, so that there is an infinite reflecting process occurring. The Hua-yen school has been fond of this image, mentioned many times in its literature, because it symbolizes a cosmos in which there is an infinitely repeated interrelationship among all the members of the cosmos. This relationship is said to be one of simultaneous mutual identity and mutual inter-causality.
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it is beautiful and its friday. wishing you all a fantastic weekend.
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fwiw here is a letter i wrote this afternoon to my advisor, the ‘german philosopher’. The working title of my thesis is Abundant Void: Meditations on Mindshift Hi Steven, First, my apologies for the delay in replying. I have been fighting a terrible cold for the last two weeks, which has kept me away from the keyboard and delayed my progress on Chapter Two. But your email has been sitting with me, particularly your point about the relation between theory and practice and the provocative trace that is left over. My Buddhist reading is that because a person is simply a clump of processes, there is no soul as a fixed entity. There is simply a continual ebbing and flowing of causes and conditions. In conventional reality, the trace is conceptual and impermanent. Yet, there is an enduring spirit in these relational clumps. When biological life ends, the meaning and connections created by that life remain, much like how the Buddha still lives in the relationships his life set in motion. These clumps, however, are just one class of phenomena. Through a close examination of dependent origination, we see that all phenomena resonate with human life and are mutually responsible for all phenomenal existence. In Buddhism, humans are only remarkable by degree, not in kind. Because of this, what might be called a soul, or a trace, is not uniquely human. It is the enduring relational pattern of any form coming into being. These clumps of processes can be most easily understood as nodes and nexus embedded within infinite network fabrics. They do not exist in isolation. They are localized points of relation, continuously interacting and drawing their form from the boundless web around them. I do have an honest, open question: what would Buddhist history be? What is the mark of time and existence? Explaining history away completely, as conditional conceptualization, is certainly unsettling. However, the deeper I go in my practice, and cross referencing my prior understanding of Einstein's relativity, I become more convinced that there is simply abundant void. And that the marks of history are an after-the-fact treatment of memory, a phenomenon acting on another phenomenon, not anything intrinsic to what actually happened. This brings up how emptiness has been fundamentally misunderstood. It is often seen as terrifying, but that fear is only a conditioned response. In my interpretation, informed heavily by Dōgen, emptiness can better be understood as abundant void. It is not a vacant absence, but the fertile, generative nexus from which all these relational patterns emerge. Put another way, it is the infinite chaotic soup before the first fractal emerges. You pointed out the incompleteness between theory and practice, and the provocative, murky trace left between them. My read of Dōgen is that this trace is exactly what he means by emptiness, and by the Stone Woman bearing children at night. He is not simply saying that practice is superior to theory. He is saying that through practice, we can actually see and inhabit the inherent contingency of life and phenomena. That realization is liberation itself, not just sitting on a cushion doing nothing.  He invites us to inhabit the space betwixt and between theory and practice, developing the capability to tolerate, embrace, and even love that ambiguity. The tension between theory and practice is only a tension if one needs concreteness or certainty. From Dōgen's perspective, this need for concreteness is just grasping at solidity in the face of ever-changing circumstances. And, to any Buddhist, that is an error. You asked for my view. I do not mean to say, stop learning, writing, imagining. I mean to say that these are all actually even more fecund when approached from a present moment. I asked something like it in my first reflection for you, a year ago: "What if we took Heidegger's call for meditative thinking seriously - not just as an abstract concept, but as a practice? (continued)
Replying to @cmilesb
I find your ideas interesting and would like to subscribe to your newsletter. :-) Can you provide me with some links?
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(continuation) On relations between theory and practice, I am inclined to say that they are the same: conditioning. It is the answer I gave you about no-self in May: "There is no self, and no, no-self. Both self and no-self are conventional, dependently originated, dualistic, and therefore empty of inherent existence." And just as practice can offer insight to body and mind, so can intellectual work. The texts we read together gave me "language and structure for what I knew but could not say." It is only that in the West, mind is typically given priority, whereas in Dōgen does not give that exception. You once pointed out that much of Western intellectual history has privileged the subject. Dōgen turns that around: "Driving ourselves to practice and experience the myriad dharmas is delusion. When the myriad dharmas actively practice and experience ourselves, that is the state of realization." Thinking is not the trouble for him either: "we are prone to beget random intellectual ideas, and because we chase after these as if they were real things, we vainly pass by the great state of truth." And Dōgen does speak of traces: "There is a state in which the traces of realization are forgotten; and it manifests the traces of forgotten realization for a long, long time." Practically, sitting in the present means sitting between a past that no longer exists and a future that has yet to arrive. It is a squirrely place. But serious meditators, and those engaged in flow practices like dancing, climbing, skateboarding and fishing, find that this zone encourages energy and lightness. Untethered from past regrets and future anxieties, the space for creativity becomes almost infinite. We drop projections that constrain the people around us, allowing them to remix their present moment karmas. This state of unconstrained presence is exactly how the Nautilus process begins and ends, returning the practitioner to that abundant void. I have much work to do on Chpater 2; but I think the weave here is getting stronger. Warmly, Chris
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