award-winning literary artist • author 8 books • digital poetics • @theVERSEverse • @forbes woman to follow • @harvard • linktr.ee/anacaballero • 🇨🇴

Very happy to announce my first institutional retrospective, opening at @ooeculture concurrently w Ars Electronica in Sept. TY @Tschuuuuly ❤️
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This👇
Excerpts from my recent FAD Magazine interview that details Concerning Unknown Women, a site-specific commission for Museum PARCUM in Belgium, opening this Friday. The museum invited me to engage with their historic archive of poems written for women entering religious life. I was dismayed to discover that the poems were essentially the same poem—praising the women for becoming brides of Jesus and living lives of devotion, renunciation and obedience. We often blame AI and algorithms as flattening forces, but humans have been flattening narratives for centuries. My project takes 106 women from the archives and visualizes them through the language of Flemish portraiture—with a twist. They're *doing* something instead of posing or having something done to them. Thank you to @titlesxyz for being the best tech partner. My installation includes an imagined museum website that houses—and thus canonizes—these portraits. The site can be visited via link below. If it looks familiar, it’s because I modeled it after the very institutional, very boring Frick Collection site. More to come.
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Ana María Caballero retweeted
Excerpts from my recent FAD Magazine interview that details Concerning Unknown Women, a site-specific commission for Museum PARCUM in Belgium, opening this Friday. The museum invited me to engage with their historic archive of poems written for women entering religious life. I was dismayed to discover that the poems were essentially the same poem—praising the women for becoming brides of Jesus and living lives of devotion, renunciation and obedience. We often blame AI and algorithms as flattening forces, but humans have been flattening narratives for centuries. My project takes 106 women from the archives and visualizes them through the language of Flemish portraiture—with a twist. They're *doing* something instead of posing or having something done to them. Thank you to @titlesxyz for being the best tech partner. My installation includes an imagined museum website that houses—and thus canonizes—these portraits. The site can be visited via link below. If it looks familiar, it’s because I modeled it after the very institutional, very boring Frick Collection site. More to come.
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exciting to see my @ArtReview_ article in print 🙏
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At Kunstmuseum Wolfsburg yesterday, it was a joy to see visitors engage with “In Your Own Words” by @CaballeroAnaMa rephrasing her poems and pinning them to places they call home, creating a shared constellation of homes. As part of the extensive exhibition “Tell Me Where Home Is” about home and belongings
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"home is everywhere" 📌🪡🖊️
At Kunstmuseum Wolfsburg yesterday, it was a joy to see visitors engage with “In Your Own Words” by @CaballeroAnaMa rephrasing her poems and pinning them to places they call home, creating a shared constellation of homes. As part of the extensive exhibition “Tell Me Where Home Is” about home and belongings
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Concerning Unknown Women, a site-specific commission, opens at Museum PARCUM (in this room!) on 10/23. At its heart is a speculative museum website, questioning what enters our canon as art. Honored to exhibit alongside Pierre Huyghe, Laure Prouvost, Cecilia Vicuña++ More soon
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"On another note, your work in the exhibition has been very well received by the public, and many people have pinned their notes to the wall. As we have also received quite a few contributions that are not “poem-related” such as visitors sharing their definitions of home or children leaving little drawings, I wanted to check whether you would be happy for me to remove some of these to make space for new additions to the pin wall." a very good morning from my inbox, regarding In Your Own Words, my site-specific commission for Kunstmuseum Wolfsburg 🫶
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When I think of Wonderful Women in this space, I think of my friend @WAPSHOP_ETH. It is so rare to make new friends as an adult and AP and I clicked from the first day we met in Toledo celebrating @yatreda and it has grown ever since. She is a thoughtful and driven collector!
Last week celebrated some amazing women, let's keep that energy going. Wednesdays With Wonderful Women in Web3 Today I'm shouting out another woman who makes this space better just by being in it. Follow and maybe share an opportunity!! #WWWWW is back 🙌 Who's on your list?
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looking forward to the opening of Oracle Machines at London's iconic Computer Arts Society. will be showing works from my Being Borges series as well as City Life, a video work cocreated w @ivonatau for @theVERSEverse. ty to artist and curator @microartsgroup 🛜
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congrats Fanny, so deserved!!
So happy and honored to be named one of the 100 Femmes de Culture 2026 by @FemmesdeCulture. As a French-American dual citizen who has spent much of her career working between these two countries, this Getty Edition feels particularly meaningful to me. We celebrated yesterday on October 12 at the Palais de Tokyo in Paris, under the patronage of the French Ministry of Culture. Co-organized with @TheGetty and @villa_albertine, this special edition marks 250 years of French-American friendship and celebrates women shaping culture in all its forms. Congratulations to all the laureates, and especially my fellow digital cultures honorees including Christiane Paul, Justine Ryst, Celia Hodent, Dominique Levy, Barbara London and Margaux Berard. This is dedicated to all the female builders working to in digital cultures! #100FemmesDeCulture2026 #FemmesDeCulture #GettyEdition #WomenInCulture
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meanwhile, in Linz 💫
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Issue 9 of The Madrid Review is out today! To celebrate, we revisit our Issue 7 interview with Anne Carson and congratulate her on her Nobel Prize in Literature! Join us from 11am on Instagram for prizes and surprises throughout the day. themadridreview.substack.com… #annecarson
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a single-edition book w one poem printed in its pages becomes a poem as scultpure.
Latch, my 6th Book Sculpture, has found a very special home w @RalphSigg, except he didn't acquire it. his wonderful wife did--as a birthday surprise. ty S + @office_impart for gifting me an occasion (and logistical support) to further confirm why I do what I do.
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