“I don’t use software to make art; I make art about software.” @JanRobertLeegte One of the true pioneers of net art. A practice spanning nearly three decades. Coming to @artbasel this June as part of Zero 10. ‚Scrollbar Composition‘, 2000 🧵

In Void is Seductive No. 2, @SalomeChatriot translates the protagonist of her video work into physical form. Larger than life and clad in black leather, the wall sculpture sits between body, armour and machine. On view through 30 October.

with @jonas_lund Tokyo Jazz Club November 1-8, 2026

At Kunstmuseum Wolfsburg yesterday, it was a joy to see visitors engage with “In Your Own Words” by @CaballeroAnaMa rephrasing her poems and pinning them to places they call home, creating a shared constellation of homes. As part of the extensive exhibition “Tell Me Where Home Is” about home and belongings

The Square by @yehwanyensong opened yesterday at Haus für Medienkunst Oldenburg. Well worth a visit!

✦ That interest in the relationships between human, technological and ecological worlds also runs through @xCROSSLUCID’s “The Ocean Has Never Been Binary \~ Oceanic Whispers.” The work featured in “Down the Silicon Meadow,” co-curated by @blueshift_now and @office_impart in cooperation with objkt. In this interview with the curators looks at how the artists approached coexistence between organic and synthetic systems. Written by @RaquelGaudard. Read Down the Silicon Meadow: blog.objkt.com/post/down-the…

After a fantastic Basel Social Club, we’re excited to be part of the next edition in Tokyo! @jonas_lund Tokyo Social Club November 1–8, 2026

Latch, my 6th Book Sculpture, has found a very special home w @RalphSigg, except he didn't acquire it. his wonderful wife did--as a birthday surprise. ty S + @office_impart for gifting me an occasion (and logistical support) to further confirm why I do what I do.

Now on view: Void is Seductive by French artist @SalomeChatriot, featuring the five-channel video installation 'First Month of Anger'. Open Saturday, 10 October, 11am–4pm. If you’re in Berlin, come by.

Google Maps as a Sculpture, 2013 (collection Hugo and Carla Brown) restored and running link below

The Living Timeline is live → 1,147 moments in generative art history → 71,000 BCE to 2025 → 35 machines, playable live in your browser → timeline.lerandom.art

What makes a place feel like home? The extensive exhibtion “Tell Me Where Home Is” explores how migration, memory and community shape belonging, with works by @CaballeroAnaMa and @annaehrenstein Kunstmuseum Wolfsburg · Until 17 Jan 2027 kunstmuseum.de/ausstellung/t…

Looking back at @DrawingMoving's "End of Signal" at HALLEN 07, presented for the first time in this form. A custom-built timber structure brought "A Field Guide to Orbital Melancholy" and works from "Known Surfaces" together as one installation at Wilhelm Hallen during @BerlinArtWeek